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犯罪現場

這個新視覺影像作品《犯罪現場》是真實的場景錄音組合。在此作品中,戲劇與表演與情境之間的轉換是其表現的主題。人們可以聽到對話,但對話者所在的地點和影像是開放的。場景在每個觀察者腦海中的長線是非恒定的時間或空間,是一個持續變換的場域。權力關系的角逐場域或欲望結構總是不斷地被重新審視。 In this work Jenny Man Wu transfers text into the cinematic space via sound files. Transferring performance and theatricality as well as set situations into the cinematic space are central themes of this presentation. The text was taken from recorded live scenes. One can hear conversations; yet the place or the image of the protagonists remains open. Thus the scenery is generated in the viewers’ imagination, turning it into a transient place, an ever-changing space being constantly created in the mind of the viewer. A playfield on which power-relations and patterns of desire can be negotiated and renegotiated.

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